“Pigments And Paradox” A Group Exhibition Of Paintings By 6 Contemporary Artists In Jehangir Art Gallery

From: 9th to 15th June 2026

“Pigments and paradox”

A Group Exhibition of Paintings by

Featuring Artists:

Bharati Arya, K.K. Sharma, Neelu Kanwaria, Piyali Sarkar, Sanjay Soni, Tanishka Khandelwal

VENUE:

Jehangir Art Gallery

Gallery – 2

161-B, M.G. Road, Kala Ghoda,

Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9024623501

Title of the show- Pigments and paradox 

Striking a Harmony of Form, Line, and Tradition: Six Contemporary Artists to Showcase at Jehangir Art Gallery MUMBAI, INDIA — The historic Jehangir Art Gallery in Kala Ghoda is set to present a powerful, multi-voiced group art exhibition featuring six of India’s compelling contemporary creators. Running from 9th June to 15th June 2026, the week-long showcase will exhibit a deeply evocative collection of paintings and creative experiments that challenge and redefine the boundaries of traditional and modern Indian aesthetics. The exhibition brings together a curated selection of works by a distinguished lineup of participating artists:  Bharati Arya,
K K Sharma,  Neelu Kanwaria,  Piyali Sarkar, Sanjay Soni,  Tanishka Khandelwal
Spanning diverse mediums and visual philosophies, the collection balances technical rigor with profound narrative depth. From meticulous structural geometry and reimagined traditional motifs to fluid, emotionally charged abstracts, the exhibition offers connoisseurs and new collectors alike a rare look into a vibrant tapestry of Indian artistic expression.

This show was inaugurated on 9th June 2026 by Hon.Chief Guest Ms. Nidhi Choudhari, IAS, Director of the National Gallery of Modern Art (NGMA), Mumbai.

Guests of Honour: 
Shri Rajendra Patil, Director of the India Art Festival and President of The Bombay Art Society,

Shri Prakash Bal Joshi, Eminent Artist and President of the Artists’ Centre, Mumbai.
Shri Jainkamal Sir, Eminent Artist and master of Typography

   

“Pigments And Paradox” A Group Exhibition Of Paintings By 6 Contemporary Artists In Jehangir Art Gallery

Renowned Artist Jain Kamal’s Retrospective Show In Jehangir Art Gallery I 26th May To 1st June 2026

From: 26th May to 1st June 2026

Retrospective show

By Veteran Artist Jain Kamal

VENUE:

Jehangir Art Gallery, 

Auditorium Hall

M.G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 7039448108

Renowned artist Jain Kamal’s Retrospective show in Jehangir Art Gallery 

A Spiritual Journey of an artist 

Senior artist Jain Kamal’s retrospective at Jehangir Art Gallery, bringing together 101 works, positions itself within an onerous yet compelling proposition: the translation of the ‘Namokar Mantra’ from an ethical utterance into a visual system. In Jain philosophy, this mantra is not supplicatory but hierarchical and ontological. It acknowledges perfected states of being rather than invoking intervention. Its recitation is an act of alignment, a recalibration of the self toward equanimity, restraint, and self-knowledge. The exhibition’s premise rests on extending this inward calibration into the domain of the visible.

Jain Kamal’s practice consistently mobilises script as structure rather than inscription. Letters accumulate into vortices, grids, and concentric dispersals, where language begins to behave as matter: compressing, radiating, dissolving. Elsewhere, manuscript-like grounds and typographic densities evoke the labour of chant-like repetition central to Jain meditative practices, where meaning is not delivered instantly but sedimented through sustained attention.

The reference to Jain cosmology, particularly the notion of cyclical existence and gradations of consciousness, is deployed not as illustrative narrative but as structural principle. The works often stage a movement from dispersion to centre, from multiplicity toward a tentative stillness. This compositional logic mirrors the ethical trajectory embedded in Jain thought: the gradual attenuation of karmic accretions through discipline and awareness.

Crucially, the exhibition’s invocation of global peace emerges as a derivative condition. Within Jain epistemology, peace is neither negotiated nor imposed; it is the by-product of an interior equilibrium achieved through self-regulation. Jain Kamal’s visual strategy: repetition, containment, and centripetal focus, attempts to materialise this proposition: that the ordering of perception precedes the ordering of the world.

The retrospective also folds into itself several parallel strands from the artist’s long professional trajectory. A section titled ‘Namokar Mantra for World Peace’ extends the exhibition’s meditative axis into a broader public-facing rhetoric of ethical coexistence. Another body of work, ‘Ek Fakir Se Doosra Fakir’, presents glimpses from a series of approximately 250 paintings centred on Prime Minister Narendra Modi, positioning political portraiture and public image-making within the artist’s wider engagement with symbolic identity and circulation. Alongside these works, archival material from nearly fifty-five years of design practice for around sixty national newspapers and periodicals is also displayed, foregrounding Jain Kamal’s sustained involvement with print culture, graphic layout, and visual communication across editorial platforms. An Original design portfolio featuring 55 years of work for 60 national newspapers and periodicals will also be on display.

This retrospective, therefore, is best understood not as a devotional display, but as an extended inquiry into whether a rigorously inward philosophy can sustain a contemporary visual language without losing its ethical density and, moreover, how it might extrapolate into a globally aligned peace-making process.

This show was inaugurated on 26th May 2026 by Honorable Chief Guest Shradhyey Dattatreya Hosbale ji, in the presence of Mangalprabhat Lodha, Chandrakant Patil,  Kaushal Vikas, Ghevarchandji Bohra, Vinay Sahasrabuddhe, Vijay Jain, Ashish Shah,

Manju Lodha, Charan Sharma, Ramesh Jain, Kamal Jain, Prakash Kothari, Kishor Khabiya Jain, Dr. Jitendra B Shah, Nirmal Jain, Ganpati Kothari, Mudith Jain, Pro. Banjare, Sureshchandra Sharma, Padmashree Bimal Jain, Vitthal Naadkarni among others

———–Sushma Sabnis (Art Curator & Writer)

 

Renowned Artist Jain Kamal’s Retrospective Show In Jehangir Art Gallery I 26th May To 1st June 2026

“A Floral Reverie” Solo Show Of Paintings By Eminent Artist Neena Bidikar At Jehangir Art Gallery

From: 25th to 31st May 2026

“A Floral Reverie”        

Solo Show of Paintings by eminent artist

Neena Bidikar

VENUE:

Jehangir Art Gallery

Hirji Gallery

M.G. Road, Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9930929996

Neena Bidikar’s solo exhibition, ‘A Floral Reverie,’ unfolds as an intimate encounter with the emotional and sensory life of flowers.

Moving beyond the conventions of decorative floral painting, Neena transforms petals, folds, textures, and colour into immersive fields of feeling, where softness and intensity coexist in delicate balance. Her large-scale canvases magnify fleeting botanical events into spaces of contemplation, drawing viewers into a world where nature appears both fragile and powerfully alive.

Working in a contemporary realist idiom, Neena approaches the flower not as a static object of beauty, but as a living form in transition – blooming, unfurling, fading, and renewing itself in cycles that quietly mirror human emotion. Rich blues, luminous whites, velvety rouges, and layered violets move across the canvas with an almost tactile presence. Light slips across petals like memory itself, revealing subtle tensions between stillness and movement, intimacy and grandeur.

Her long engagement with textile design and visual aesthetics is evident in the fluid orchestration of colour, rhythm, and surface. Yet the works resist excess. Instead, they cultivate attentiveness. Each painting invites the viewer to slow down and inhabit a moment that contemporary life often rushes past, the silent unfolding of beauty in its most transient state.

There is a meditative quality to Neena’s practice. The flowers seem less arranged than encountered, as though emerging from a deeply personal dialogue with nature, time, and perception. Through these works, the artist creates not simply images of blooms, but emotional environments where quiet observation becomes transformative.

‘A Floral Reverie’ offers a rare visual pause, a space where colour breathes, form softens, and the ephemeral presence of nature is allowed to linger just a little longer.

This show was inaugurated on Hon. Chief Guest Mr. Rajiv Mishra(Principal Sir J.J. School of Architecture), Guest of Honour – Ranjana Rane Das (Vice President, BJP Mumbai Mahila Morcha) among others.

This show is curated by Mrs. Anjali Kaur Arora ( Founder – BOA Gallery)

 

“A Floral Reverie” Solo Show Of Paintings By Eminent Artist Neena Bidikar At Jehangir Art Gallery

“SUMITAATMAN” Solo Show Of Paintings By Eminent Artist Sumitra Ahlawat In Jehangir Art Gallery

“Sumitaatman”

Soulful Strokes

Solo Show of Paintings
by Eminent Artist Sumitra Ahlawat

VENUE:

Jehangir Art Gallery

Gallery No. 4

M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm.

Contact: +91 98682 60250

Sumitaatman:

In an age increasingly drawn toward irony, spectacle, and fragmentation, Sumitra Ahlawat’s paintings return to the enduring language of beauty, devotion, ornamentation, and emotional sincerity. Her works celebrate the richness of Indian cultural memory through luminous portrayals of divine figures, women adorned in traditional attire, musicians, dancers, and moments of quiet spiritual reflection.

Shaped through her art education in Sambhajinagar, Maharashtra, Sumitra’s visual language carries subtle echoes of regional aesthetics, traditional attire, devotional atmospheres, and the warmth of lived Indian cultural experience. She completed a five year Diploma in Fine Arts, building a rigorous academic foundation that later expanded into diverse professional engagements across painting, illustration, broadcasting, and graphic design.

Working across oil, acrylic, charcoal, watercolour, and mixed media, Sumitra creates compositions deeply rooted in feminine figurative traditions while retaining a contemporary softness and immediacy. Her paintings are marked by flowing drapery, elaborate jewellery, expressive gestures, and richly textured surfaces that evoke the visual atmosphere of women at temple rituals, folk celebrations, varied painting traditions, and classical Indian aesthetics.

Alongside her independent artistic practice, Sumitra has also worked professionally across several important institutional spaces. She created oil paintings for the Rajputana Rifles Regiment Centre, Delhi, worked as a graphic artist with Doordarshan, Delhi TV, and UDK, contributed book illustrations for NCERT, and worked on illustration projects for Nandan magazine of HT. These experiences expanded her engagement with both fine art and public visual culture, allowing her practice to move fluidly between institutional, literary, devotional, and popular visual language.

Her devotional works depicting Krishna, Rama, Vitthala, Ganesha, and Radha are imbued with warmth rather than grandeur. These are not distant mythological icons, but intimate presences inhabiting the emotional world of everyday faith. Alongside these sacred images, her portraits of Indian women carry a similar dignity and grace, transforming adornment into a visual language of identity, memory, femininity, and cultural continuity.

Sumitra’s use of colour moves between earthy browns, deep vermilions, luminous golds, and muted monochromes, creating a balance between vibrancy and stillness. Her figures often emerge softly from the surface, as though suspended between dream, remembrance, and lived reality. There is a tenderness in the way the body is painted, not merely as form, but as a carrier of ritual, devotion, beauty, and inherited cultural memory.

Rather than pursuing conceptual excess or detached irony, Sumitra’s practice remains committed to emotional clarity and visual harmony. At a time when contemporary art often distances itself from decorative sensitivity, her paintings quietly reclaim these languages without apology. The decorative in her work becomes a vessel of continuity, intimacy, and cultural remembrance.

Her paintings invite viewers into a contemplative world where devotion, femininity, grace, and figuration coexist not as nostalgia, but as living emotional inheritances that continue to shape the Indian imagination.

This show was Inaugurated on 25th May 2026 by Hon. Guests Dr. Kishor Ingle(Director, Directorate of Art, Maharashtra State), Prof. Narendra Vichare(Chairman, The Bombay Art Society), Shri. Rajendra Patil(President, The Bombay Art Society, Founder – India Art Festival), Dr. Ganesh Tartare, (Former Professor, SirJ.J. School of Art), Shri. Shekhar Sane( Eminent Artist)

 

“Sumitaatman” Solo Show Of Paintings By Eminent Artist Sumitra Ahlawat In Jehangir Art Gallery

‘Habitat – Echoes Of Land And Life’ Group Exhibition Of Paintings By Four Acclaimed Artists In Jehangir Art Gallery

From 26 May to 01 June 2026,

‘HABITAT – Echoes of Land and Life’

a significant group exhibition featuring four acclaimed artists: N. S. Manohar, S Jayaraj, Maruthi Paila, and R Dhiyaneshwaran.

VENUE:

Jehangir Art Gallery

161-B, M. G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9840265685 

‘HABITAT – Echoes of Land and Life’: A Convergent Exploration of Nature and Humanity

From 26 May to 01 June 2026, the historic Jehangir Art Gallery will host “HABITAT – Echoes of Land and Life,” a significant group exhibition featuring four acclaimed artists: N. S. Manohar, S Jayaraj, Maruthi Paila, and R Dhiyaneshwaran. 

The exhibition serves as a profound visual dialogue between the elemental forces of earth and sea and the human lives shaped within their embrace. Through a diverse body of work, the artists navigate the terrains of landscape, memory, and abstraction, reflecting on the lived experiences of rural and coastal communities.

In this collection, the land and sea is portrayed as a rhythmic, transformative presence, while the land serves as a repository for stories of tradition and labour. The artists employ colour as a primary emotional language – moving between quiet, contemplative palettes and vibrant, immersive hues – to capture the “echoes” of places remembered and lives witnessed.

S Jayaraj and Maruthi Paila push the boundaries of form, utilizing textured abstractions to bridge the gap between observed reality and imagined space. N. S. Manohar and R Dhiyaneshwaran present evocative figurative narratives and intimate portrayals of everyday life, grounding the exhibition in the resilience of human tradition.

Collectively, these works resonate with a shared concern for environmental continuity and the fragile balance between human existence and the natural world. “HABITAT” does not seek to present a singular narrative; instead, it offers a constellation of impressions, inviting viewers to pause and reflect on their own connections to place.

This show was inaugurated on 26th May 2026 by Honourable Guest Mr. Rajendra Patil (Director, India Art Festival), Dr. Prakash Kothari among others

Exhibition Details:

Dates: 26 May – 01 June 2026

Venue: Jehangir Art Gallery, 161-B, Mahatma Gandhi Road,
Kala Ghoda, Mumbai

Hours: 11:00 AM – 7:00 PM

 

‘Habitat – Echoes Of Land And Life’ Group Exhibition Of Paintings By Four Acclaimed Artists In Jehangir Art Gallery

“Ethereal Visions” Paintings & Sculpture Exhibition By 14 Contemporary Renowned Artists In Nehru Centre Art Gallery

26th May to 1st June 2026

“Ethereal Visions”

Group Art Exhibition of Paintings & Sculptures

By Contemporary renowned artists

Ram Partap Verma, Debabrata De, Dr. Panchanan Samal, Nilkanth Mondal, Debashis Maity, Chandan Samal, Narottam Das, Sonu Gupta, Purneema Dixit, Itee Jain, Sofaiya Yasmeen, Narendra Kumawat, Himanshu Mohanta, Vishwa Sahni.

VENUE:

Nehru Centre Art Gallery

AC Gallery

Dr. Annie Besant Road, Worli, Mumbai 400018

Timing: 11am to 7pm

Contact: +91 9324647023

Ethereal Visions: A National Art Exhibition 

“Ethereal Visions” brings together a diverse group of contemporary artists from across India in a show that moves between figuration, abstraction, and sculptural form, mapping a wide spectrum of visual languages currently in practice. Rather than positioning the ‘ethereal’ as something purely transcendental or decorative, the exhibition locates it within lived experience: memory, labour, environment, and the psychological interior.

The paintings on view range from expressive figuration to stylised landscapes and symbolic narratives. Certain works engage with the human condition through layered, almost eroded surfaces, figures appear fragmented, dissolving into their environments, suggesting themes of migration, anonymity, and collective endurance. Others adopt a more lyrical or decorative approach, where colour fields and organic forms, such as trees rendered in vivid chromatic contrasts, evoke a contemplative, almost meditative stillness. There is also a strong presence of surreal and symbolic portraiture, where the human face becomes a site of internal tension, marked by intricate patterning and fissures that allude to identity, trauma, and transformation.

In contrast, some painters lean into narrative figuration, drawing from performance, mythology, and everyday life. These works retain a gestural softness, where the body is not rigidly defined but emerges through atmosphere and movement. Elsewhere, a sharper, illustrative precision appears in works that hybridise human and animal forms, pointing toward ecological anxieties and the fragility of biological systems. A few works also engage with landscape as a site of disturbance rather than beauty, where atmosphere, smoke, and terrain carry the weight of environmental unease.

The sculptural section extends these concerns into three dimensions. Materials such as metal, ceramic, and mixed media are employed to construct forms that oscillate between abstraction and symbolism. Some sculptures explore balance and tension through stacked, precarious forms, while others draw from ritualistic or mythological imagery, grounding the exhibition within a distinctly Indian sensibility. The ceramic works, in particular, demonstrate a playful yet controlled engagement with form, surface, and rhythm.

What holds the exhibition together is not a singular theme but a shared impulse to negotiate the visible and the intangible. The ‘ethereal’ here is not an escape from reality, but a way of processing it, through distortion, stylisation, and material transformation.

Organised and curated by Vishwa Sahni, “Ethereal Visions” offers a panoramic glimpse into contemporary artistic practices, where multiple vocabularies coexist, intersect, and occasionally collide, reflecting the complexity of the times we inhabit.

This show was inaugurated on 26th May 2026 by Honourable Chief Guest Mrs. Nina Puri (Renowned Architect)

This show is curated by Mr. Vishwa Sahni

——Sushma Sabnis (Art Writer & Curator)

 

“Ethereal Visions” Paintings & Sculpture Exhibition By 14 Contemporary Renowned Artists In Nehru Centre Art Gallery

“UTSRIJI” A Group Show Of Paintings By 10 Contemporary Renowned Artists At Jehangir Art Gallery

From: 5th to 11th May 2026

UTSRIJI

An Ancient way of communication

A Group show of Paintings by Tapan Karmakar, Fulla Chandra Mistri, Indrajit Ghosh, Malay Datta, Mrinal Saha, Shiladitya Basak, Paban Roy, Subhrajit Dutta, Ranajit Jana, Riti Sundar Roy

VENUE:

Jehangir Art Gallery

AC Gallery No. II

161- B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 94313 97347, +91 98368 07282

Utsriji: An Ancient Way of Communication brings together ten artists from across eastern India in a compelling group exhibition at Jehangir Art Gallery, presenting a vibrant confluence of contemporary expressions rooted in lived experience and cultural memory.

Organised under the aegis of Utsriji Satsang – a collective established in 1991, this exhibition features works by artists Paban Roy, Tapan Karmakar, Fulla Chandra Mistri, Shiladitya Basak, Malay Dutta, Indrajit Ghosh, Riti Sundar Roy, Ranajit Jana, Subhrajit Dutta, and Mrinal Saha. Each artist contributes a distinct visual language, yet together they form a cohesive narrative that reflects both individuality and shared sensibilities.

The exhibition unfolds as an eclectic rainbow spectrum, ranging from finely detailed figurative compositions and symbolic portraiture to textured abstractions and layered mixed-media works. Themes of devotion, memory, rural life, mythology, and contemporary aspiration surface repeatedly, often interwoven with a strong narrative impulse. Whether it is the quiet dignity of human figures, the symbolic presence of animals and nature, or the interplay of colour and surface, the works resonate with an immediacy that is both accessible and evocative.

What emerges is not merely a display of artworks, but a dialogue, between regions, generations, and modes of seeing. The exhibition underscores art as a timeless communicative force, one that transcends language while remaining deeply anchored in context.

Utsriji invites viewers to engage with this diverse showcase and experience the many ways in which art continues to connect, reflect, and endure.

This show was inaugurated on 5th May 2026 by Honorable Guests Mr. Prayag Shukla (Famous writer & art critic), in the presence of Mr. Kamal Jain (Famous typographer), Mr. Anil Kelkar (Founder member Mumbai art group), Mr. Hars Lakhani (Art curator), Mr. Raj Kumar Sharma (Art reviewer), Mr. U. Pradhan (Art director),  Hem Chatterjee (V.C. J.J. College of Arts),  The event was further honored by the presence of retired professors from Sir J.J. College of Art along with renowned journalists from leading media houses such as Dainik Bhaskar, Jansatta, Saamna, and others. Members of the Satsang community, including Guru brothers and extended their support. Satsang devotees. Their presence added great value and encouragement to the participating artists Paban Roy, Fullu Chandra Mistry, Tapan Karmakar,  Malay Dutta, Indrajit Ghosh, Shiladitya Basak, Mrinal Saha, Ranajit Jana, Riti Sundar Ray, Subhrajit Dutta.

Sushma Sabnis (Art Curator & Writer) Mumbai.

 

“UTSRIJI” A Group Show Of Paintings By 10 Contemporary Renowned Artists At Jehangir Art Gallery

“WHISPERS IN THE WILD” An Exhibition Of Paintings By Vyoma Parikh At Jehangir Art Gallery

From: 4th to 10th May 2026

“WHISPERS IN THE WILD”

An Exhibition of Stillness, reflection and quiet beauty

By

Contemporary artist Vyoma Parikh

VENUE:

Jehangir Art Gallery

M.G. Road, Kala Ghoda,

Mumbai 400001

Contact: +91 98202 97461

Timing: 11am to 7pm.

Vyoma Parikh’s paintings unfold as immersive, sensorial environments where landscape is not described but felt. Working with a refined interplay of oil and acrylic, she constructs surfaces that shimmer with layered detail, delicate constellations of colour, cascading vertical rhythms, and tonal shifts that evoke forests, water, and flowering terrains without ever settling into fixed geography. Her canvases hold a quiet dynamism, where density and translucency coexist, allowing light, texture, and form to move fluidly across the surface.

What distinguishes her work is this ability to balance intricacy with atmosphere. The repeated vertical elements suggestive of trees, rain, or veils, create a hypnotic structure, while the richly worked grounds, composed of countless minute marks, build a sense of depth that draws the viewer inward. Within these expansive fields, subtle figurative presences, animals, fleeting forms emerge gently, offering moments of pause and scale without interrupting the overall harmony.

There is an unmistakable lyricism to her palette. Whether in the warmth of gold-infused compositions or the softness of pastel-hued expanses, colour in Vyoma’s work is not merely descriptive but experiential, carrying emotional resonance and quiet intensity. The paintings invite deep looking, rewarding attention with shifting perceptions and layered discoveries.

Rooted in a strong foundation of training and informed by her wide-ranging cultural exposure, Vyoma has developed a visual language that is both accessible and contemplative. Her works extend an invitation into a world where reality softens, and perception becomes a more intuitive, reflective act; one that lingers well beyond the first encounter.

This show was inaugurated on 4th May 2026 by Honorable Chief Guest Mr. Niraj Bajaj Chairman Bajaj Auto  Arjun Awardee and International Table Tennis Player.

Guests of Honors 

  • Dr Khushnuma and Dr Anil Mansukhani
  • Ms Armin Wandrewala Author and Lawyer
  • Mrs &  Mr. Nilima and Dhrunal Patel
  • Mr Parthip Thyagrajan. CEO Wedding Sutra
  • Mrs and Mr Archana and Milan Parikh
  • Dr & Mr Rajshri and Ravi Kumar
  • Mr and Mrs Sandip Atith
  • Mr Kamlesh Mehta
  • Mrs Ramaswamy
  • Mrs Renu Dalal
  • Mrs Sunita Pandey
  • Drs Shaila and Raju Khubchandani
  • Mr and Mrs Rasik and Sonal Chheda
  • Mr and Mrs Rajesh and Nita Sheth

 

“WHISPERS IN THE WILD” An Exhibition Of Paintings By Vyoma Parikh At Jehangir Art Gallery

“Timeless Kashi” Solo Show Of Paintings By Renowned Artist Santosh Kumar Sandilya At Kamalnayan Bajaj Art Gallery

From: 27th April to 3rd May 2026

“Timeless Kashi”

Solo Show of Paintings by renowned artist Santosh Kumar Sandilya

VENUE:

Kamalnayan Bajaj Art Gallery

Ground Floor, Bajaj Bhavan,

226, Nariman Point, Mumbai –  400021

Timing: 11am to 7pm

Contact: +91 8756588588

The exhibition showcases a stunning new collection of original oil paintings that capture the eternal soul of Varanasi with its majestic ghats, sacred temples, bustling river life, and the divine presence of Lord Shiva. What makes these works truly unique is Sandilya’s signature technique: every painting is created using holy Ganga Jal (water from the sacred River Ganges) instead of regular water. This sacred medium infuses each canvas with spiritual energy, devotion, and the living essence of Kashi, turning every stroke into a meditative prayer.

“Ganga Jal is not just a medium for me but is a form of devotion,” says Santosh Kumar Sandilya. “Before I touch the brush, I purify the canvas with the holy waters of Ma Ganga. Each painting carries the timeless beauty, heritage, and divine energy of Banaras and Lord Shiva. Through ‘Timeless Kashi,’ I want viewers to feel the same peace, power, and spirituality that I experience every time I paint on the banks of the Ganges.”

The exhibition features large-scale landscapes and intricate scenes of Varanasi’s ghats, temples, boats, and evening aartis, all brought to life with vibrant colors and luminous light. Visitors will experience the mystical aura of Kashi, the world’s oldest living city, as never before, with the holy Ganga literally flowing through the artworks.

This show was inaugurated on 27th April 2026 by Honourable Guest Mr. Rajendra Patil(Director of India Art Festival), Mr. Prakash Bal Joshi(Eminent Artist), Mr. Sumeet Rajani(Owner of Reach Out Gallery) among others.

Santosh Kumar Sandilya, a distinguished alumnus of Banaras Hindu University’s Lalit Kala Department, has earned global acclaim for transforming painting into a sacred ritual. His works have been exhibited across India and abroad, and he is widely recognized for preserving and promoting the spiritual and cultural heritage of Varanasi through art.

This is a rare opportunity for art lovers, collectors, and devotees to own a piece of living heritage, paintings blessed by the holy waters of the Ganges.

   

“Timeless Kashi” Solo Show Of Paintings By Renowned Artist Santosh Kumar Sandilya At Kamalnayan Bajaj Art Gallery

“BENEATH THE SURFACE” Paintings & Sculpture Exhibition By Abhishek Mandala, Charanjeet Singh, Kaushik Gajjar, Manish Sharma At Jehangir Art Gallery

From: 21st to 27th April 2026

“BENEATH THE SURFACE”

An Art Exhibition by

4 contemporary Renowned artists – Abhishek Mandala, Charanjeet Singh, Kaushik Gajjar, Manish Sharma

VENUE:

Jehangir Art Gallery 

Auditorium Hall,

161-B, M. G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9825149459

Opening at the Jehangir Art Gallery, Auditorium Hall, ‘Beneath the Surface’ brings together four artists whose practices are rooted in an engagement with what lies beyond immediate visibility. The exhibition is less concerned with surface resolution and more with the internal negotiations, of memory, material, and lived experience, that precede and shape the final work. It asks the viewer to slow down, to look past the evident, and to encounter the quieter, often unresolved tensions embedded within each piece.

Charanjeet Singh’s works move between past and present, drawing from architectural memory and historical visual languages to construct spaces that feel both intimate and distant. His paintings hold a sense of time layered upon itself, where fragments of history are neither preserved nor erased, but reconfigured.

Manish Sharma approaches the landscape as a psychological terrain. Working within a restrained palette, he builds images that oscillate between recognition and ambiguity. These are not depictions of place, but states of perception, where structure dissolves into texture and memory resists clarity.

Abhishek Mandala’s sculptural language centres on the human figure as a site of pressure and transition. His forms suggest bodies shaped by forces larger than themselves, economic, social, and spatial, where endurance and fragility exist in constant negotiation.

Kaushik Gajjar reflects on the idea of dwelling, not as static architecture but as a living, relational condition. His compositions evoke built environments that seem to lean, connect, and respond to one another, suggesting a collective life embedded within structure.

This show was inaugurated on 21st April 2026 by Honorable Guest Praful Shah(Art Collector) in the presence of Vipta Kapadia(Eminent Artist),   Vinod Sharma (Renowned Artist), Anant Nikam( Eminent Artist), Sushma Sabnis (Art Curator & Writer)

 

“BENEATH THE SURFACE” Paintings & Sculpture Exhibition By Abhishek Mandala, Charanjeet Singh, Kaushik Gajjar, Manish Sharma At Jehangir Art Gallery